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The miracle of the hl. Hugo
Painting ID:: 45429
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Francisco de Zurbaran
The miracle of the hl. Hugo
mk186
1630-35
Sevilla, Museo Provincial de Bellas types
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The adoration of the shepherd
Painting ID:: 45565
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Francisco de Zurbaran
The adoration of the shepherd
mk186
1638 Grenoble, muse of the Beaux-type
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Style life with lemon of orange and a rose
Painting ID:: 45666
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Francisco de Zurbaran
Style life with lemon of orange and a rose
mk186
1633 Pasadena
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The Adoration of the Shepherds
Painting ID:: 51699
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Francisco de Zurbaran
The Adoration of the Shepherds
nn09
1638-39
Oil on canvas
267x185cm
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Portrait of the Duke of Medinaceli
Painting ID:: 52220
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Francisco de Zurbaran
Portrait of the Duke of Medinaceli
Oil on canvas
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Francisco de Zurbaran
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. |
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Related Artists::.
| Ramon Bayeu | Frederick Remington | David Klocker Ehrenstrahl | |
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